What were sexploitation films of the 1960s?
The Best Exploitation Films of the 1960s
- Faster, Pussycat! Kill!
- Two Thousand Maniacs! 1964, 87 min.
- Blood Feast 1963, 67 min.
- Eugenie 1969, 87 min.
- Venus in Furs 1969, 86 min.
- The Born Losers 1967, 113 min.
- Mudhoney 1965, 92 min.
- Vixen 1968, 70 min.
What is considered exploitation film?
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality “B movies”. They sometimes attract critical attention and cult followings.
When was the golden age of Italian cinema?
Following the end of WWII, the period roughly from the mid-1940s to the mid-1950s is regarded by most film historians as the ‘Golden Age’ of Italian cinema. Some of the most critically acclaimed Italian films of all time were produced during this period.
What are some examples of exploitation?
Types of Exploitation
- Sexual Exploitation. This is when someone is deceived, coerced or forced to take part in sexual activity.
- Labour Exploitation.
- Domestic Servitude.
- Forced Marriage.
- Forced Criminality.
- Organ harvesting.
What were white telephone films?
White telephone (telefoni bianci) films—glitzy, glossy dramas and comedies dripping with sentiment—were one of the predominant forms of motion picture during the Mussolini regime.
Were Spaghetti Westerns made in Italy?
Spaghetti westerns, also called Italian westerns or western all’italiana, are a subgenre of western films. The term “spaghetti western” was coined by Spanish journalist Alfonso Sánchez to describe the low-budget films being made in Italy during the 1960s and early 1970s.
What is Italian exploitation cinema?
From the 1960s to the 1980s, Italy became known for its exploitation cinema, which ranged from gialli and “Mondo” films to Spaghetti Westerns and Nazisploitation.
What are some of the best Italian films of the 1960s?
Titles such as The Passionate Thief (Mario Monicelli, 1960), Divorce Italian Style and Seduced and Abandoned (Pietro Germi, 1961 and 1964) or Il sorpasso and I mostri (Dino Risi, 1962 and 1963) couldn’t be included.
How many movies did Fellini make between 1960 and 1970?
Surprisingly, Fellini completed just four features between 1960 and 1970 (La dolce vita, 8 ½, Juliet of the Spirits and Satyricon) as well as episodes in a couple of anthology films, Boccaccio 70 (1962) and Spirits of the Dead (1968).
Why is Italian cinema so brilliant?
Italian cinema is so brilliant because it deals with extremes. You can watch a film of Bava’s and appreciate his artistry, and then in the next step you can watch a film of D’Amato’s and wallow in filth.