What movies did Saul Bass design for?
| Saul Bass-Designed Title Screens | ||
|---|---|---|
| 1950s | Carmen Jones (1954) | The Man With the Golden Arm (1955) |
| 1980s | Broadcast News (1987) | The War of the Roses (1989) |
| 1990s | GoodFellas (1990) | Cape Fear (1991) |
| The Age of Innocence (1993) | Casino (1995) |
What does Saul Bass design?
Bass also created iconic logos for the American Bell Telephone Company, AT, Continental Airlines, Girl Scouts of America, and Quaker Oats, among others. In addition to his design work, Bass directed the sci-fi thriller feature film Phase IV (1974) and wrote, produced, and directed several short films.
What was Saul Bass inspired by?
Laurence King Publishing Ltd, 2011. methods to Bass specifically in his film and print designs. 16 This is why Bass was also influenced by the Russian Constructivist typography and Bauhaus design theory that is featured in most of his designs. Saul Bass greatly influenced film titles and corporate logo designs.
Who designed the title sequence for vertigo?
Typotheque: Taking Credit: Film title sequences, 1955-1965 / 5 Spiralling Aspirations: Vertigo, 1958 by Emily King.
Who designed the US movie poster?
Drew Struzan (/ˈstruːzən/; born March 18, 1947) is an American artist, illustrator, and cover designer known for his more than 150 movie posters, which include The Shawshank Redemption, Blade Runner, Mallrats, as well as films in the Indiana Jones, Back to the Future, and Star Wars film series.
Who invented the title sequence?
The first title sequences appeared in 1897 when Thomas Edison put a credit at the start of one of his films to prevent piracy. Then, in the 1908 film, Bronco Billy, G. M. Anderson became the first actor to be credited on screen.
Who designed Alfred Hitchcock movie posters?
This is the long way of saying that designer Matt Needle’s minimalist movie posters for three of Alfred Hitchcock’s most famous movies are good design, by almost any metric you’d care to throw at them.
Why was Saul Bass so influential?
Bass stepped up the sophistication of movie posters with his distinctive minimal style and he completely revolutionized the role of title credits in films. Traditionally, credits were static and drab.
What was Saul Bass philosophy?
His creation was based on the philosophy of enlightening the audience about the subject of the film and invoking their emotions accordingly. Another one of his philosophies stresses on rendering the ordinary, extraordinary, by acquainting the audience with familiar objects in an unfamiliar way.
When did Saul Bass start graphic design?
1940s
He began his time in Hollywood in the 1940s, designing print advertisements for films including Champion (1949), Death of a Salesman (1951) and The Moon Is Blue (1953), directed by Otto Preminger. His next collaboration with Preminger was to design a film poster for his 1954 film Carmen Jones.
Who is the woman at the beginning of vertigo?
Judy Barton The true identity of the woman who impersonated Madeleine in the first half of the film. Judy played the role of Madeleine at the behest of her one-time lover, Gavin Elster. She is malleable, lonely, and a bit hard. She is willing to surrender her own identity so that Scottie will love her.
Who designed the stranger things poster?
Kyle Lambert
Kyle Lambert is an L.A. based artist, who is known for creating illustrated movie posters for the entertainment industry. Most notably, Kyle illustrated the iconic key art for award winning series, Stranger Things.
How were title sequences created?
The first title sequences appeared in 1897 when Thomas Edison put a credit at the start of one of his films to prevent piracy. Then, in the 1908 film, Bronco Billy, G. M. Anderson became the first actor to be credited on screen. This recognization started the tradition of giving credit to a film’s stars.
What logos did Saul Bass create?
Bass was responsible for some of the best-remembered, most iconic logos in North America, including both the Bell Telephone logo (1969) and successor AT globe (1983). Other well-known designs were Continental Airlines (1968), Dixie (1969) and United Airlines (1974).
Who invented the dolly zoom?
Irmin Roberts
The dolly zoom was ‘invented’ by a second-unit cameraman, Irmin Roberts on the set of Alfred Hitchcock’s Vertigo. Roberts made history with his new cinematic technique but was uncredited in the film. The technique was later popularized and widely used in many classic films including Jaws and E.T.
Who designed the Stranger Things logo?
The logo was created with the ITC Benguiat font designed by New York typographer, Ed Benguiat. It was chosen, according to Michelle Dougherty at Imaginary Forces, to look like a Stephen King novel font meets a title sequence of Alien (which was designed by Richard Greenberg).
What was Saul Bass last film title?
Toward the end of his career, Saul Bass was “rediscovered” by James L. Brooks and Martin Scorsese, who urged the Basses to return to main title design. For Scorsese, Elaine and Saul Bass created title sequences for Goodfellas, Cape Fear, The Age of Innocence, and Casino, their last title sequence.
Who created the opening title sequence of a movie?
For Scorsese, Elaine and Saul Bass created title sequences for Goodfellas, Cape Fear, The Age of Innocence, and Casino, their last title sequence. In a sense, all modern opening title sequences that introduce the mood or theme of a film are a legacy of the Basses’ work.
What is Saul Bass famous for?
Saul Bass (May 8, 1920 — April 25, 1996) was a graphic designer and filmmaker, perhaps best known for his design of film posters and title sequences. Saul worked side-by-side with his wife Elaine Bass for much of his career.
What kind of work did Ken Bass do for Alfred Hitchcock?
For Alfred Hitchcock, Bass designed effective and memorable title sequences, inventing a new type of kinetic typography, for North by Northwest, Vertigo (working with John Whitney), and Psycho .