Should my drum bus be mono?
It could be sent to any bus, but since a snare is a mono source, we should send it to a mono bus.
Are drums recorded in mono?
You can record drums in both mono and stereo. Each drum should be recorded as a separate instrument. Individual microphones are used to record the kick drum, snare, and toms; therefore these are captured in mono. However, overhead and room mics are recorded in stereo.
What is better mono or stereo?
Stereo sound is superior to mono sound in almost all cases. It creates a richer and more detailed listening experience because more audio is recorded versus mono, and it’s presented in a more organic way. Unless some other superior form of sound recording is right around the corner, stereo is definitely here to stay.
Which instruments should be in mono?
in theory everything that is a mono sound source would be kept in a mono channel: Lead vocal, guitar, Bass, drum individual parts, some synth leads, trumpet, flute, percussion , wtv you can imagine that comes from one single point and its very easy to identify it.
Should you pan drums?
Panning is one of the most crucial things you can use to make your drum sound fill the entire room. The kick drum, and in some cases the snare drum too, will usually be in the centre of sound, so it will not require panning.
Do mono records sound better?
While technically, neither stereo nor mono records are louder than the other, stereo might seem louder due to its panning effect. Hearing music comes from different channels, and the added speaker can give off what seems like a more audible sound.
Should I record instruments in mono or stereo?
Mono recording is perfect for vocals and can work on other instruments. Stereo recording works well on acoustic guitar and even drums. Mono mixing helps you end up with a track that sounds good everywhere. And stereo mixing shows you the beautiful stereo landscape you’ve created.
Do you mix in mono or stereo?
Songs with vocals are mixed so that the priority focus is on the lead singer. Therefore, most producers and engineers opt for mixing the dry lead vocal signal in mono, while mixing the vocal effects, such as reverb and delays in stereo. You may have heard of the “Tree” Formula of mixing.
Should toms be in mono?
The kick and the snare should be mono, the open-hats and the toms should be panned, and the closed hi-hats can be both panned and stereo. However, they don’t have to be. Sometimes, you’d want to spread your drums differently around the stereo field.
Should cymbals be panned?
The kick drum, and in some cases the snare drum too, will usually be in the centre of sound, so it will not require panning. However, toms, cymbals and other percussions should be panned on either side of the stereo image, regarding what result you want to get.
When did music go from mono to stereo?
A Very Brief History Of Mono To Stereo In the late 1930s’ and during the 1940s’, music recordings, releases and technologies like early record players, sound in movies etc., were all done and configured in mono. By the 1960s’ records were mass-produced and released in stereo.
Will a mono needle damage a stereo record?
In other words, playing a mono record with a stereo cartridge will not achieve the same signal in both the left and right channels. It will not be “true mono”. Imperfections such as crosstalk, phase errors, and tracking errors will result in a degradation of sound quality.